
Why do we listen to metal?
Killswitch: Howard Jones' vocals are stunning, both in scream and in traditional forms. And of course because Adam D's outfits can be even more bizarre in our imaginations.
Pantera: we know that Dimebag will chug harder than your uncle Randy at your sister's open bar wedding and the consistency of his Dean and MLs in riff, lead, fill, power, it is unequaled. That shit is just evil.
Zakk Wylde: The Pinch Squeal.
Just pickup a Floyd Rose, harmonic that A string on the 4th fret, dive bomb that trem like the war depended on it, and tell me you don't contort your entire head in a style you wish would stay that way if you did it long enough.
That is why we listen to metal. Avenged Sevenfold's self titled album; however, is not.
I understand you screamed out a few blood vessels M. Shadows, and you've made it known that the album progression (or digression depending on how you look at it...) was scream on the first, scream/sing on the second, be Axle Rose on the third oh wait, I mean sing on the third, and then, do something to make all the fans happy on the fourth. Wait. No. No, Mr. Shadows. You can't do that. That's not fair, spread your Batwing army too thin and you will lose them Romanesque. I mean, come on, voice vibrato Celine Dion style on Lost. What "fan" wanted that?
It isn't all bad though, get past the vocals and you still have the tandem thrill of Zaky Vengeance and Synyster Gates. Two unbelievably talented guitarists, doing what they do best, guitar harmony. But I think what it really comes down to is that there are just too many cliff hangers.
When I listen to a song and a part comes up when I think the perfect squeal would work, but it doesn't, that isn't a disappointment, that lets me put the best pinch ever there. On this album, it isn't the lack of pinch squeals or breakdowns that makes album disappointing (doesn't help either...) its the false hope of heavy, or in the instance of Gunslinger its the very small amount. I listen to a song and think, ok, when's it going to come, bring on the heavy, chug please. Doesn't come. Or if it is there and you begin to think, "Yay! New life!" it goes away after a few seconds to be replaced by some acoustics or Shadows' nasally loaded approach to singing. The track Lost is the best example of this. It's a pretty good song. I remembered hating it, but when I listened to it again, I couldn't remember why. Then it happened. Remember "If you believe in life after love", that little trill she puts on 'believe'? well, metal just got trilled. It almost comes down to the fact that this track alone, destroys the credibility of this whole cd. Unfortunately I can't say that the rest of the songs are great, they aren't. At least not great metal songs.
If you like metalcore, thrash, Sounding the Seventh Trumpet, Waking the Fallen, or scream metal then this is NOT for you. STAY AWAY! If you liked the direction of City of Evil or you like 80s ballads with way worse vocals, then pick this thing up. But be warned, even you might be better off just snagging some individual songs.
I got into metal purely on the respect of instrumental talent and ended up loving the genre, I just wish the skills of Zaky, Synyster, Johnny Christ, and The Rev. could ressurect this one. RIP A7X. Don't ever play this live.